Aesthetics

                    THE PLEASURES OF THE CRYPTIC
                                      By Jayaram Menon (M5799)

A: I like the clue "An overloaded postman".
B: How many letters?
A: Two great big sacks full.


Now, if you didn’t get that joke , you probably will, by the end of this article. Five years ago , I wouldn’t have understood it too. It was at about that time that I started doing cryptic crosswords.They are regular features in our local dailies.
Though the going was laborious , and time scarce , I have become enamoured of these fiendish exercises. They have given me hours of pleasure . Why should this be so? Friends and acquaintances have asked me what I see in them . It is partly to answer that difficult question that I undertook to write this essay.


To start off, what are cryptic crosswords? The normal crossword puzzle offers clues that are straightforward . The answers are synonyms or definitions of the clues given. You rack your brains to find other words that mean the same thing as the clue. As there are many synonyms to a single word , how is the correct answer reached? First, the number of letters that the answer has, is given. Second, each answer intersects with another answer and so the letter at the intersection must fit both. These two constraints are sufficient to let you know whether you have obtained the correct answers .The straight crossword  is an excellent tool for improving and retaining your vocabulary and general knowledge over the years .

The cryptic crossword has an extra dimension . Along with the normal definition , there is a cryptic definition. Sometimes there is a link word between the two definitions. Sometimes the cryptic definition is another straight definition. And now and then, the entire clue is literally both ! The rules governing cryptic crosswords have slowly changed over the years – all the time evolving towards achieving that quintessential English quality of “fairplay” . The solver must have a fair chance of solving the puzzle even as the cruciverbalist pushes the rules to the limit .

As a result, we  have a conundrum . Language , though governed at its core by rules of grammar , has a cultural component to it . This component is  subject to change by a gamut of  influences. Slang , foreign words , acceptable abbreviations , short forms , new meanings  , discoveries , inventions and technological advances – all these relentlessly impinge on the current state of the language. For the cryptic crossword solver , the latest dictionary and thesaurus is indispensable. If the answer can be found within these references , the clueing is fair. Anyway , it is usual for a novice to feel that some clues are unfair as he is still not fully familiar with the specific English cultural milieu that the cryptic crossword is grounded in.

With time , unwavering effort and a stoical temperament  the novice will graduate to a level where he can take delight in  this diabolical exercise.

To explain the components of this rare and high pleasure , there is no better way than to actually go through a particular clue and see how to crack it .

Here we go!

SEE & SAVOUR


Swingers’ bar from which partners are picked up ? ( T _ _ _ _ _ _ )(7 letters)

The first hint of pleasure comes from the overall reading of the clue .
Admire its structure , just as a winetaster first holds the glass up against the light to notice the colour of the wine .

I call this stage –See & Savour !

 How smooth is the surface reading ! What comes to mind ?  You get an image of a bar where a pleasure-seeker  is looking out to pick up an attractive partner for a date and , hopefully, consensual sex !

What 7 letter word (beginning with the letter T) can satisfy this clue ? Where is the straight definition? Where is the cryptic one? Where is the Keyword within the cryptic definition which tells us how to crack it? After all , Cryptic means “ mysterious in meaning” and based on fairplay , there must be a Key to unlocking the Mystery .

To the trained eye of a regular crossword solver, that surface meaning is an illusion , albeit a powerful one. This is a trap which he must somehow evade. He already knows that the answer will lie somewhere else – but where ? It is time now to leave the surface and take the plunge!

SIFT & SIEVE


We must now do a difficult thing.We need to disregard the sentence and concentrate on individual words. We ignore the forest and look at the trees. Every tree is to be examined individually . We are especially looking for that singular tree ( if its there) that can tell us all about the nature of the forest ! As Blake said “ to see a World in a grain of sand ….and Eternity in an hour” – you examine the tiny , component parts to perceive the form of the enormous.

I call this stage—Sift & Sieve ! It is the second stage of our pleasure trip.

At first glance , the first word Swinger suggests a Person who is lively in an unrestrained way" . This meaning probably evolved from an earlier connection with Swing which was a type of Music based on Jazz but using simpler harmonic and rhythmic patterns. Swing in its basic definition means  Sway or Oscillate.

The next word bar enhances our first impression – since Bars are places where Swingers do congregate .

 However, Bar in its primary meaning is “ a long evenly shaped piece of metal that is used as a guard or obstruction”. How did it become a Place or Counter where beverages like liquor  are served?

Well, way back , the taverns had  a physical separation between where the drinks were and where the drinkers drank. You can guess why!
And this barrier was made of bars through which drinks would be served. Ergo , the  phrase “Let’s go to the bar!”

Coincidently, railings made of bars also separated  benches in the hall from the Inns of Court. Students of the Law who had reached a certain level of  capability were then called to the Bar to take part in the proceedings of the Court.

Bar eventually  came to represent the entire legal profession as well as the entire tavern ! All this from the humble bar , a rod in its fundamental form – fashioned into barriers through which transactions and communication could still take place.

The next word that catches our attention is  partners . Husband and wife ; Doubles Players , Duets of all kinds – are examples of Partners. Officially, a partner is a person who shares or is associated with another in some action or endeavor.
We finally come to the words that express ACTION – are picked up.
Pick up means lift or take up.
Also -- recover, to learn by experience , accelerate … as well as  to become acquainted with informally or casually, often in hope of a sexual relationship , arrest or to take into custody.

The words  from which establishes the relationship between subject, object and verb and is the grammatical glue which gives coherence to the sentence.

This process of sifting and sieving is analogous to the miner’s panning for gold where it’s necessary to separate the various components of the scooped-up earth. Just as the wine-taster swirls the liquid in the glass to release vapours for the nose to smell and identify , we examine all possible meanings for the words given . We are now poised to enter the third level within the garden of delights!

TINKER & TAILOR


Now that we have all the possible meanings of the individual words , can we see any key word that will unravel the puzzle ? This is where we need to potter around a bit . Have you ever pottered around your house? Ever opened up and put things together back again? Have you engaged in some aimless activity now and then ? These random and unplanned activities are a vital ingredient of  creativity. They let the mind wander and come up with novel standpoints.

I call this stage – Tinker & Tailor !

Essentially, we adapt and fashion to a particular end but in a makeshift way !
In this phase, we form all kinds of associations freely with all the words in the clue- keeping in mind the definitions , both straight and cryptic .

Swingers’ bar from which partners are picked up ?

The only words that stand out as keywords are picked up and bar . As a verb , bar means  prevent . picked up implies an action of lifting something.
So the keyword is more likely to be picked up since it has more manipulative power than bar . Since the keyword is embedded in the cryptic definition we now can make the initial division between the two definitions

Swingers’ bar           /           from which partners are   picked up ?

Straight definition                                       Cryptic definition                 keyword


We introduce the  symbol / (forward slash ) to divide the two definitions . We also underline the keyword and italicise the remaining part of the cryptic definition .

from which partners are   picked up ?   can be rearranged to

are   picked up from which partners  ?   without changing the meaning.

Bearing in mind that this is a cryptic definition , we can imagine the letters of ARE being picked up from WHICH PARTNERS . Hence, WHICH PARTNERS  is manipulated into  WHICH PTNERS .

Sadly it doesn’t match  SWINGER’S BAR . Is there any more manipulation to be done? No, there are no other keywords .

We have reached a dead end ! Let’s see if we did anything wrong .

 Is picked up a true keyword? . What we did was to take OUT the letters and does picked up match that manipulation? Not quite . picked out would be the better choice.

So it looks like that there is NO special key word . Hence we will have to go back to configuring the clue as :

Swingers’ bar from which partners are picked up ?
Straight clue   &    Cryptic clue  are one and the same ! & There are no keywords !

 This change in direction is part and parcel of the tinkering and tailoring process.
So the cryptic crossword solver is like a cliff climber . The climber will scan the cliff and choose the most  likely path by which a successful efficient climb can be executed. The solver will look at the arrangement of words ,  choose the key by which the entire construct can be solved . Oftentimes , the wrong path is picked out initially.Then both the climber and solver need to re-map their strategies. This is where the adventure is, the conscious efforts taken along the path , the dead ends met, the tortuous path back, the search for another toe hold or finger hold , the re-start from another point and so on…

We might have to Sift and Sieve again –more rigorously this time.
Swingers become other things that swing – like pendulums , people on swings , batsmen ( in baseball and cricket and other sports)   ….

We now try to use  partners or picked up  to narrow  the search for the right combination  ; what kind of swingers have partners  and use a bar? Going back  to pendulum – what is the partner of the pendulum? How about bowlers being partners of batsmen ? Partners are usually on the same side. What other sports or activities involve people on swings? People swing on swings in the playground. But there is no bar there.

What activity uses a bar? And people swing on them?  I can picture a gymnast swinging on a bar. Is there a special name for such a bar?

But what about  partners? Who is the gymnast’s partner?  I have never seen double gymnasts in action  …… 

 And then the image emerges…. and yes, I have seen  “doubles” on a swinging bar. Do you see it too? You probably would have , in real life or on the screen. A swinging bar  on two ropes from which acrobats swing and are picked up in exchanges!

A single letter in the clue  T also aids in this winnowing process. And at last, we have the answer . We see the shape of the forest now. Trees align themselves magically into the correct shape-- that of acrobats in the circus who swing on bars and from which they sometimes let go only to be picked up by the their partners on another swinging bar . We have a perfect fit. We have penetrated the illusion. The journey was long and crooked ; but past the trap , it looked easy .

HAPPY HOUR

We now come to the last phase of the pleasure cruise. One of appreciation and reflection.

I call this stage Happy Hour !

 Appreciate such a wonderful clue- no extraneous words, a natural swing to it, a common image conjured up, the whole sentence itself also being a definition.
 What a cliff-face! So well constructed that the various elements bring up several comical secondary images like one of a legal team from which partners could be swinging from a hangman’s rope!

After solving the clue , I feel like sharing my joy with someone. I call out to my wife , also, a crossword buff and tell her about this . We both get to talking about it . Oh wow !
The pleasure is multiplied when you have a partner  to share the pleasure with !
How skillful was the construction of this clue ; how deceptive – like a magician’s sleight of hand ; how a specific arrangement of words can provide multiple images . Not all cryptic clues generate the same level of pleasure . In a single cryptic crossword , with approximately 30 clues , there will be a spectrum of delightful clues . It is not necessary that every one of them dazzle the senses. As a solver , I pay tribute to the overall tenor of the set of clues as well as to the individual brilliance of a particular clue. Like an 8 course dinner , the overall effect must be significant if we are to judge it as great.


If , at the end of a crossword solving activity , the clues show us ordinary words in a new light  as well as expose a unique relationship between them , then we have a structure that is extraordinary. This heightens our everyday perception of language and  sharpens all our responses to its application. We are basked in a glow that is as real as one felt after a good swim or a hard run . Of such moments should life be made of ! In such moments we will have reached a transcendent level of joy.

Cryptic crosswords solving is one of the few activities I know where I actively nudge the subconscious part of the brain on a regular basis. It’s most dramatically illustrated when after a good amount of struggle during the day followed by a good night’s sleep – the answer comes without any effort in the morning.

KEYWORDS- UNRAVELLING THE MYSTERY

The keyword is the salient feature of most clues. The manipulations possible are immense. That is why there can be no end to clue writing. What are the specific manipulations that the keyword is capable of ?

   a)ANAGRAM

First , it can re-arrange the letters of a word or words. Some examples are  strange, odd, disturb, change, move , perhaps, etc. You need to recognize these words in a clue. They manipulate neighbouring words.
In the example :  Encircle damaged bridge (6)
Damaged looks like the keyword since it implies change . What neighbouring word is to be damaged? Since the answer is a 6 letter word , “bridge” looks a better candidate than “encircle”. So the straight definition has to be “encircle”. Hence the answer should mean encircle  . BRIDGE damaged turns to BEGIRD which means ENCIRCLE.
Using our earlier symbols , we can picture the clue as

  Encircle  / damaged bridge       answer : BEGIRD

The symbols serve as a tool to crack the cryptic.

Such a clue where the keyword rearranges words is an ANAGRAM.

   b)CHARADE

Second, type of clue is called CHARADE. Here, answers from two or more separate parts of the clue are put together to form the answer.

  Doctor east … half American is a wishful thinker(7)

 Doctor = DR   , East = E  half American = AMER

 So we have DR E AMER  = A wishful thinker


Doctor east … half American / is / a wishful thinker     answer : DREAMER

 “Is” which lies between 2 forward slashes is a link word.

   c)DOUBLE-DEFINITION

The third type of clue is DOUBLE-DEFINITION .
Here two definitions are given and the answer should fit both of them .

Tax cut (6)

Another word for tax is excise . Excise also means to cut or remove. So the answer is EXCISE.
Using our symbols we have 

Tax / cut             answer : EXCISE

   d)CONTAINERS

The fourth type of clue is CONTAINERS .
Here the answer of one part of the clue is put into another.Keywords that you have to watch out for are holds, encompasses, includes etc

Love cereal if put inside mouth(7)

Love = O    cereal = RICE  IF is put inside RICE .

O R IF ICE = ORIFICE  which means MOUTH.

Once again , using our symbols we have

Love cereal  if  put inside  / mouth     answer : ORIFICE

  e)REVERSALS

The fifth type of clue is REVERSALS .

Here, the clue is solved but the answer needs to be reversed before putting it in the crossword grid. Typical keywords : looking back , mirrorred , rises up etc

Drive off colony member from the east (5)

Drive off = Repel   colony member = leper  which if seen from the East is repel

Symbolically  we have ,

Drive off / colony member  from the east       answer : REPEL

   f)HIDDEN WORDS

The sixth type of clue is HIDDEN WORDS . Here , the answer is embedded in the clue . The keywords to look out for are among , within , held etc

Lay to rest in Mappin Terraces(5)

Lay to rest = INTER  and in MappIN TERraces we can see the answer.

We can see it as :

Lay to rest  / in Mappin Terraces      answer : INTER

   g)HOMOPHONES

HOMOPHONES are the seventh type of clue. Here the answer to be written sounds like the answer from the clue but is spelt differently.Keywords are sounds like , I hear , declared etc

A reason we hear for bird cries (4)

A reason = CAUSE   It sounds like CAWS which is bird cries.

Symbolically , we have

A reason we hear / for /  bird cries     answer : CAWS

   h)DELETIONS

The eighth type is DELETIONS.Here keywords are  beheaded , lacks , without etc

Sharp spike Sweeney Todd used without hesitation (4)

Sweeney Todd was an infamous BARBER
BARBER used without hesitation = BARBER – ER (ER, UM are accepted as substitutes for hesitation). Hence the answer is BARB which is a sharp spike.

Our clue can be written as :

Sharp spike / Sweeney Todd used without hesitation    answer: BARB

   i)PURE CRYPTIC CLUE

The final type is the PURE CRYPTIC CLUE . An example would be the first clue I talked about. The whole clue hints at the answer but requires an oblique reading to get to it.

“Is that all?” I hear you say. But beware of composite clues that are combinations of the above. What gives them away? More than one keyword will be found in them.

EXERCISE 1

Let’s try out a few clues which I have written in symbolic form. That will be an aid to you as you figure out the answers. I have also given a list of answers for you to choose from. As such I have not indicated the number of letters of each clue.

1. Man of principle / made riches differently        
2. Feel free if  inside / tower                               
3. What must happen / to / overweight  egghead
4. It may be pronounced with conviction
5. Unexpected / gentleman is nosy , we hear
6. European flower / – a little tender honeysuckle
7. For each / child less person
8. Some of these bounce back / being / overweight
9. I wander  back /  to / the New Zealander
10. Take ages / to / fit in

Answer List: Surprise , Rhone , Belong , Fate , Guilty , Eiffel , Archimedes , Per , Maori , Obese , Marigold , Maybelline , Sudden , Event ,

EXERCISE 2

Let’s go to the next level . The same thing but  no answers to pick from . however some letters are given.

1. Tribal symbols /could be  temples, too (5,5) (T _ _ _ _   _ O _ _ _ )
2. State  / of  / California if  left in chaos (8) ( _ _ _ O _ _ _ A)
3. Drains topless / pitchers (5) ( _ W _ _ _ )
4. A greeting / is / regrettably returned before morning (6) ( _ _ L _ _ M)
5. Not shrewd ? / That’s strange ! (7) ( U _ _ _ _ N _ )
6. Hibernating / snake wrapped around shelter (6) ( _ _ L _ _ _ )
7. Spare / part of a loaf for dinner (6) ( _ _ F _ _ _ )
8. Noble / combination of duck and hare (8) ( _ R _ _ D _ _ _ )
9. Is it measured in round figures ? (13) ( _ _ R _ _ _ _ E _ _ _ _ E )
10. They see / and / show audible approval (4) ( _ _ _ S)

EXERCISE 3

Finally , we go to the last level. Here , I will show the clues as they appear in actual cryptic crosswords. See if you can apply the symbols used for cracking the clues.

1.    Seven different levels (5)
2.    Game in the form of a puzzle (6)
3.    Spare part in Oedipus Rex , tragically (5)
4.    She comes to a fishy end (7)
5.    House holding an aromatic plant (7)
6.    Fight no one pays to see (4,3,3)
7.    From being in the red , I possibly came into money (9)
8.    Girl from Andean nation decapitated (5)
9.    Guard sent to a breached line (8)
10. Not huge but shaped to become robust (7)


PRACTICE MAKES PERFECT


I hope that I have shed some light on the mysteries of the cryptic. If your interest is piqued , there are many places to start . You can search the WWW for many resources regarding cryptic crosswords. There are many levels of difficulty. Stay away from the difficult until you get bored with the easy. As with all activities , the pleasure increases with practice. The world of the cryptic is one of mystery and adventure. You have been warned !

For those who seek the answers and explanations of the exercises above , the writer can be reached at  jay@mensa.my






APTITUDE for the CRYPTIC
A cow doesn’t have the problem-solving skill of a chimpanzee, which has discovered how to get termites out of the ground by putting a stick into a hole. Evolution has developed the brain’s ability to solve puzzles, and at the same time has produced in our brain a pleasure of solving problems.
Martin Gardner

Watch out for the film “The Imitation Game” starring Benedict Cumberbatch as Alan Turing. The film is about the bunch of boffins who were selected by British Intelligence during WW2 to crack the ‘uncrackable’ Enigma code used by the Germans. The code changed every month and so presented the codebreakers with a very difficult problem. At the start of the war, the Poles had cracked the earlier versions of the code used by the German Army and Air-Force  and provided much critical information to the British.
Who were the boffins who came to Bletchley Park to crack the code? Many were mathematicians with cryptographic background. Many other talents were eventually recruited as revealed in this excerpt :
"In late 1941, a mysterious Mr Gavin wrote to The Daily Telegraph newspaper to offer £100 to be donated to charity if anyone could solve a Daily Telegraph crossword in less than 12 minutes. The competition was held at the Telegraph offices in Fleet Street. Those who managed it were deemed to have the right sort of mind to break the German codes, and a few weeks after the competition they received letters asking them to report to military intelligence, which sent them on to Bletchley Park."

“the right sort of mind”?

What is the link between swift crossword solving and being able to break codes?
Are the abilities used in crossword solving useful in code cracking? Could treasure hunters be great code-breakers? I have some empirical data to answer this. Having introduced ‘puzzler’ type challenges in eye-q hunts previously, I noticed that quite a few teams ( all being top notch hunters ) did very well in cracking the puzzles. They needed no learning curve to crack the challenges that came in forms like “I-Spy”, “The Maze”, “Treasure Maze”, “Cry-pix” and “The Puzzler”. Each of them was based on a specific premise and adhered to internal rules. I assumed that ‘puzzles’ were in the same league as cryptic clues. The minds that fed ravenously on cryptic clues were generally amenable to work on ‘puzzles’. In the long-running “Crack-A-Pot” series, we have puzzles set specifically on cracking the code! For those of us who have experienced cracking them over long distances, their variety and their ingenuity are really to be treasured. Many new hunters would usually not attempt them but most master hunters would always give them a go. So there is natural overlap between cryptic clues and code breaking . If you are good in any one of them then you might be okay for the other.

Aptitude- what is it?

How can we be more precise in defining the quality and depth of this aptitude?
We have this evidence before us – in a critical  period of war, top officials gave weightage to the assumption that people who solved crossword puzzles rapidly had the wherewithal to work on code-breaking! It is not a trivial fact that they recruited a large number of ‘solvers’ to work on the Enigma & the lesser known Lorenz codes. No doubt the mix of brilliant people of different backgrounds working so closely with each other provided the extra push for achievement that normally would have taken a longer period. The parallels are striking when we compare the other great project of WW2 – the Manhattan project to make the first atomic bombs. The mix of scientists and engineers  working together for years had the same type of effect and result – accelerated achievement!  In hindsight, I would argue that victory against the Axis was guaranteed with the success of these 2 projects. In the European theatre of the war, the cracking of the Enigma code shortened the war by at least 2 years. In the Pacific theatre, the 2 atom bombs brought about the surrender of Japan. Had these 2 projects not succeeded, it is possible that no clear victory would have been established and most likely a stalemate would have been the result.
In our own time, Mark Goodliffe, winner of the Times Crossword Championships 8 times in a row and who had previously been unsuccessful in winning the Sudoku Championship won it this year! Talk about aptitude! His time for solving the 3 final crosswords was 22minutes ( about 3 clues a minute )! For us lesser mortals, there is no need to despair as we have our own part of the mountain to climb! One advantage that treasure hunters have over crossword solvers is that we work together as a team and so we learn from each other.

To return to the question posed – let’s describe aptitude. One can claim to have it if one can –

Solve something that others can’t
Solve something faster/better  than others
Learn faster than others
Be consistent in application of the skill
Pursue area of interest to the extreme
Create new aspects  and refine what has gone before

Any single feature above that is possessed even to the exclusion of the rest affirms that aptitude is present!
This applies to many fields and is important to encourage in the young  - if you spot any of the above qualities in them.
Because the brain is a multi-purpose, multi-tasking entity, such qualities  become enhanced with practice and circumstance. The overlap of functions allow novel connections by synapses and voila! We will have extraordinary breakthroughs.


Cryptic Clues & Problem Solving

Let’s now explore how aptitude in cryptic solving spills over into other disciplines. Since we started with how it was generally recognized that cryptic skills would help in decoding – I am of the opinion that it’s good for coding as well. Especially, computer coding.
Computer coding and programming  are not so amenable by pure book learning. These skills can be acquired only by practice, and even then, students with an aptitude for programming will acquire the skills far more readily than those without. Here is a hard truth which the young must understand. Despite one’s interest in any activity or profession, there must be a latent talent that accompanies that interest so that one can do well in that activity or profession.
It is one of the weaknesses in our education system that we fail to spot and encourage particular aptitudes in the young. Also, early aptitudes change and other emerge – sometimes too late to do anything about it.
How can we show to the young this concept of aptitude in a straightforward way? Talking of aptitude in music and art, most students understand that –
many people don’t have it;

it has no correlation with academic ability;

there is no stigma in not having it.

However, they feel differently when it comes to capability with words and figures. Language and problem solving seem to be in a different category for them. It can be learned by all equally well – is their perception.

However, I have come across many teachers,doctors,lawyers,accountants and engineers who obtained their degrees and yet do not feel at home in their chosen professions. They had the skill to pick up esoteric knowledge and yet do not display real aptitude in their work. My take on this phenomena is that if you are not really solving problems or creating new stuff in your daily work, you are mismatched.

You have to find your way out of the maze. You have to test the aptitudes that you feel you possess in the real world. Can you really problem-solve in any particular area and rarer still, can you create stuff?
The crossword puzzle and the treasure hunt are very reliable indicators of revealing aptitude in nearly all disciplines requiring constant problem-solving.

Both these pastimes involve the following :

General Knowledge is required
Specialist Knowledge is required
Insight is required
Analysis is required
Persistence is required

You need all these requirements to prove your aptitude. It is a simple template which indirectly reveals the potential that you have. Even if you finally recognize that you do not possess it, it is a major milestone for you to base future decisions on. As an adult, there might be not enough time and freedom to start in another direction.But, for the child, it is a great signpost for the future which otherwise is murky.
In the broadest sense, the child that likes puzzles (of which cryptic clues are a part ) and does them is showing a budding aptitude for anything involving problem solving. One who is cold to it has other sensibilities and needs.
A parent needs to expose their kids to a variety of puzzles so that some facet grips them and engages them in an exploratory way. Aptitude in cryptic clues forecasts problem solving capabilities and should be encouraged with as much exposure as possible.
For hunters who already have one foot in this brilliant sport, it is to be remembered that if you possess any of the aforementioned qualities that indicate aptitude, all you need is the passion and the will to pursue the sport – and lo and behold – you will reach the heights eventually.

JayMen




The Beauty of the Cryptic


“A beautiful thing is that which gives pleasure when contemplated as an individual object, for its own sake, and in its presented form”
Roger Scruton

TYPES OF BEAUTY

Of the many definitions of beauty that I have come across – from different fields, Scruton’s is the richest in texture and content. The definition can almost serve as a guide on how one should appreciate beauty.In his book “Beauty” Scruton discusses four types of beauty : human,natural,”everyday”, and artistic. That he gives distinction to “everyday” beauty shows his insight into the need for all of us to keep our house clean and orderly, to set an elegant spread when inviting friends and to wear matching accessories when attending functions. The effort invested in such considerations is a clear indicator that there is a certain value in maintaining appearances. When we notice the lack of such effort in everyday life , it goes against our innate sense and taste of our expectations in honouring beauty. While human and natural beauty are the most easily recognized, there are depths to them that only one with extreme perception can dwell on and transform into artistic beauty.

Where do mathematical and scientific beauty fit in? I suspect that Scruton, not being trained in such matters wisely leaves them out. But to anyone familiar with Maxwell’s Equations or the Mandelbrot set , there is no doubt as to their being classified as “beautiful”. Shakespeare’s sonnets ,Beethoven’s symphonies and Michelangelo’s statues all are supreme examples of Artistic Beauty.

When I  first gazed on Faraday’s electromagnet in all its primitive glory , I immediately felt a sense of awe and had no hesitation in ascribing it as “beautiful”.Now using Scruton’s definition, I would like to explain why such an object can be considered beautiful. Trained as an electrical engineer, and familiar with the internal structure of modern generators and motors – I could immediately appreciate the first electromagnet ever made when I saw it. Because, here was the 1st of its kind – and from it –came all things associated with electrical power in the world! Contemplating it and linking with what I had studied in abstract mathematics and hard engineering , here was the object which first linked the electric field, the magnetic field and PHYSICAL movement!

Faraday himself made it in his laboratory and with its raw outline and thick wires wound round – I could visualize the electromagnetic fields intertwining and magically producing movement! The object was beautiful because it synthesized  the earlier imprints of electromagnetic theory in my mind and gazing upon it , the mind resonated and an infinity of waves Fourier-transformed inversely into distinct harmonics! I now had the mental characterisation of pleasure!

BEAUTIFUL CLUES?

As hunters, we do share an enjoyment in solving cryptic clues. The longer we have hunted, the chances are – we enjoy it greater now than we ever did. How many of you remember the FIRST thrill of solving a cryptic clue? How many still remember your first BEAUTIFUL clue? How many look forward to the next BEAUTIFUL clue? We may vary in our sensitivity to the beauty of clues just like our response to “everyday” beauty. The sensitive ones can wince at an ugly clue just as they can at poorly arranged furniture in the sitting room. And they will gasp at a beautiful clue like Nabokov  gazing on  iridescent butterfly wings. Those who have not hunted at all cannot experience such pleasure. It is a mystery to them. But if they were given some beautiful clues – I would not be surprised that they would react to it as regular hunters do.
This conclusion came to me when overseas and I was talking about treasure hunts to foreigners. In explaining the nature of the treasure hunt clues, I would invoke crossword clues as a comparison.I would stress the alfresco nature of the answers in the hunt and if there was a sign nearby would concoct a clue for them to solve there and then. Sometimes there were no signs and I had to elaborate using clues I had done in the past. I had to choose clues which could be solved with no need for the sign to be present. Over the years, there were a few clues that elicited the same response from solvers across two continents and a sprinkling of cities. I will use them to illustrate the power of the “presented form” and how it inspires contemplation in the solvers’ minds.

The first clue is “H₂O@1°C”. You may want to solve this first before proceeding. Take your time. To help the solvers, I would give a hint( but only after a period ) – that it was a 6 letter common English word. Then began the process of their deconstruction of the clue. Most of the time there were a few solvers around and so they would discuss and it was fun listening to them voicing their thought processes! Gradually they would converge ( albeit at different rates) to water at 0°C which was ice. Then came the tough part. Why 1°C? What was water at this temperature? It’s not ice, definitely. After a few iterative progressions ( on average, half an hour to 1 hour ), the answer would hit them. Then would come the responses. There would be smiles around as their efforts were collaborative. They would give their opinions on the nature of the clue. The phrases that I remember were “it’s a no-word clue”, “it could have been solved even without the 6 letter hint”, “the answer is teasingly near and yet it takes time to reach it”, “discussion helped in the solving” and “can we have 1 more question?”

The second clue is “Next in line after Ida and Jeb”. For this one, I would give no hint except to say that the answer was world famous! A wild goose chase would ensue. They would at first try to recollect famous personalities with such names and eventually would reach a dead end. They would protest that it was unsolvable and I would assure them that it was eminently solvable! Could I give another clue? No, I said. Not necessary! Then I would relent and tell them to use pen and paper. They would have suspicious looks on their faces. What kind of suggestion is that? What is there to write down? And I would put on my best version of the Mona Lisa smile. Eventually, they would commit themselves to writing down the names in the clue. Inevitably, something would click or slowly coalesce in their minds and the answer would be apparent. Their faces would be a photographer’s delight – closed eyes, open mouths with smiles and shaking heads. Comments would run the gamut  - from “never thought that writing down the names would speed up the process” to “why did we take so long?” to “the names distracted us and we wound up on the wrong road” to “self-contained clue”.

The last clue I will talk about is a more recent one and was topical at the time it was constructed. I sent it off to a crossword master in London and teased him to crack the hunt clue as it was topical. The clue was “Sacked the month before?” He replied in the affirmative! He liked the clue based on the fact that what drove him to the answer was the question mark! He mentioned that if it had been merely stated, the effect would not have been as pleasurable. I was quite taken by this insight as it gave credence to Scruton’s discriminatory adjective “presented”.

FEATURES OF BEAUTY

Let us summarize the features in the clues above that aroused pleasure in people who had never experienced treasure hunt clues before as well as a master crossword setter and solver.
Broadly speaking , they are :
Novel features
No wasted words
Internal logic which can lead to the answer without having the range of signs in front of you
Level of difficulty which appears formidable but in retrospect had enough leads to solve

Let’s apply these features to Michelangelo’s work “Pieta” where the Madonna is holding the dead Christ on her lap. The reason I want to do this is to verify whether the features mentioned above are universal when contemplating works of beauty.

Firstly, re “novel features” : Never had there been such a composition where mother holds the dead adult child.
“no wasted words” : There is no need for any explanation to be attached to the work. It stands by itself.
“internal logic” : There is no obvious emotion on both faces. Yet we have the feeling of her mourning the death – expressed by a single outstretched hand.
“level of difficulty” : The meaning and feeling evoked takes time to register. It is not immediate. The clues are all there but it requires effort to unravel. First, to have the combination of mother and adult son is extremely unusual. Then, to have such a pose where the adult son is limply reposed is even more daring. Yet, we do not feel any strangeness in the work. It is so “everyday” – no fancy poses, no “message”  - just a mother holding her dead son. Why does it work? The disparate proportions of both mother and child have something to do with the normalcy of the scene. Were the mother to stand up, she would tower over the son in height! And yet together , we do not feel the difference in stature. In fact, it connects us to the more familiar images of Madonna & Child. Michelangelo’s brilliance will make you see with the mind and not the eye!
And just to confirm whether the Pieta’s beauty accords with my mental image of inverse Fourier transformation from an infinity of possibilities to a single set of harmonics – I tried to imagine a multitude of poses for both mother and child – but not a single one would be as effective as the one Michelangelo chose! And that increased my sensitivity to its extraordinary appeal. The sculptor had wedded seemingly unwieldy subjects and found a connection and form that transcended the limits. Something unique and beautiful had been created! Exactly like Faraday’s electromagnet !

PLEASURE

It is not unworthy to commandeer the experiences of viewing both the Pieta and the electromagnet to aid in the understanding of how the cryptic is subject to the same play of quantum-mechanical forces in the microtubules in brain cells that give rise, among other things, to subjective thoughts of beauty.
In Christopher Nolan’s masterpiece “ Inception” , we see the multiple levels of reality that are valid in their own right and in which there exist genuine feelings. Each world – cocooned in the higher one – is authentic in its domain. What any character feels in that world is indistinguishable from what he feels in his own world. That the same feelings and thoughts that engage us when contemplating unsimilar works of beauty are only different in intensity and frequency but essentially arising from the same aesthetic is what makes beauty measurable and discussable.

In Scruton’s definition, “pleasure” is an important product in the contemplation of beauty. Many clues in many treasure hunts offer immense pleasure. Without that, the hunt is diminished as the key element of any recreational activity is absent. There are , of course, other features in the hunt that produce pleasure – the camaraderie, the successful solving, the chase, the competition, the laughs at the wrong answers, the near misses, the nail-biting finishes …Hunters keep coming back when pleasure is felt and remembered. Hence, clues must play an important part in the return of hunters to the great game. Beautiful clues, tough clues, funny clues – all play their part in maintaining interest and participation in this special sport. Pleasure is addictive and will never go out of fashion. As long as clues are creative and beautiful, pleasure will be generated – no matter other conditions.

The connoisseur of cryptic beauty is in good company. In all realms of human expression, the drive for experiencing new forms of beauty and the consequent pleasure is unrelenting. Creator and participant collaborate to carve out fresh trails in search of the sublime. May they never stop.
Jay Menon

I would very much appreciate if hunters could send me beautiful clues that they have come across in treasure hunting. Send me as many as they think are beautiful. It would be great if they could explain in their own words why they find it beautiful. I hope to share your feelings re the clues with other hunters. Gold hunters , especially, are encouraged to share as I think this will add to the body of perception re beautiful cryptic clues.


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